The novelist Paul Bailey, whose life ended last autumn at 87, was renowned for his comic brilliance, profound compassion extending to his most flawed characters, and an intelligence that never felt cold. His novels frequently delved into the influence of recollections in shaping lives, fueled by clever, syncopated conversations. In addition to storytelling, he worked as an autobiographer, verse writer, and other capacities—this serves as a roadmap to the books he left behind.
Paul Bailey proved a gregarious individual, an excellent talker with a love for “trivial chit-chat”, in the words of a creation. Together with companion author Beryl Bainbridge used to view the serial drama Coronation Street and analyze it telephonically. This fondness for chatty conversations appears within his books the novel Trespasses (1970) and Peter Smart’s Confessions (released in 1977). The two present a leading man encircled by funny, annoying, over-the-top characters, frequently family members whose impact cannot be avoided. “Who wants to be normal anyway?” asks the mother of Ralph in the book Trespasses after he discloses his homosexuality. Like an evening with your smartest, cheekiest pal.
Paul Bailey authored superbly on old age, throughout his literary path. His first book At the Jerusalem (from 1967) follows the journey of Faith Gadny while she adapts to an old people’s residence, where fellow residents offer warmth absent in employees, who show interest via queries “Why aren’t you ladies watching the television?”. In the novel before his final Chapman’s Odyssey (released in 2011), an elderly hospitalized man alternates between arguing with doctors (“I consume only fine wines”, he insists when scolded for liver results) and being flooded by memories from his parent, romances, fictional icons like Dickens’s Pip to Austen’s Emma. Each volume contain funny exchanges yet shadowed by impending endings. In Bailey’s fiction, grins are unreliable. In that book, “the matron smiled, shut the smile off quickly”; Mrs Gadny laughs nervously when confronted about her behavior. In Chapman’s Odyssey, Harry advises that “my smiles aren’t what they seem”. Your laughter, nonetheless, is sincere.
Besides novels, Paul Bailey served as a skilled autobiographer, releasing two self-written volumes. An Immaculate Mistake (from 1990) is a masterwork of recollection, its title derived from his mum’s statement labeling him an “accident” and questioning his presence. (“Elderly, she disclosed hidden truths,” he notes. “This one, she knew, would be of particular interest to me.”) Here we see the roots of misguided, loving, frustrating parents throughout his books. It likewise portrays a beautiful image of a boy discovering his sexuality during the mid-20th century, when same-sex acts were criminal, and his family found it odd if a male child gifted blooms to his parent; and of a would-be thespian (Paul Bailey performed prior to authoring) who memorized Hamlet at 15. His second memoir A Dog’s Life (published in 2004) focuses on life with his mongrel puppy Circe, his former partner David, his love for Romania—which inspired subsequent books such as the novel Kitty and Virgil, Uncle Rudolf, as well as The Prince’s Boy—and plenty of gossip, featuring an anecdote regarding Iris Murdoch calling an audience member an “idiot”.
The author’s fiction tend to be short—the powerful Old Soldiers (published in 1980) is under 100 pages—but for something shorter, try his poetry from later years. The two collections Inheritance (published in 2019) along with the title Joie de Vivre (2022) exhibit Bailey’s wit, empathy, precision in brief format. These verses are full of mortality and existence. Two love themes recur: for his mother (“Now I’m closer—/ I have to say—/ than in life”) and for his civil partner Jeremy Trevathan. In Amazement, he describes the happiness from viewing “a silly TV show” as a couple, ending with: “It’s amazing, somehow, to eat cheese and sip wine while the world darkens.”
It is widely accepted that Bailey’s most ambitious novel is the novel Gabriel’s Lament, a Booker Prize finalist in 1986. (He was a Booker judge in 1982, a role he disliked.) This novel Bailey felt proudest of, despite the fact “it exhausted him completely”. It follows the tale of Gabriel Harvey, whose mum disappears while his dad transforms into an insufferable elitist after inheriting wealth, and the two might be related. It serves as a portrait of 20th-century London, a story of mental breakdown, and as funny and sad like his other works. Additionally, it prompted a sequel, Sugar Cane (published in 1993), which the author studied by attending brothels to observe.